Volume III Specifics
Farview Recording doesn't assume to know what sound you want for your mix. Rock Drums Volume III gives you the tools to create your own unique drum sounds to fit your music and your mixing style.
We give you four "starting points" to help get you closer to your goal:
- raw (no processing) ~ you can do whatever you need to make the sound work in your mix
- processed ~ three different ways of processing for your convenience
All the drums on Rock Drums Volume III were sampled with more velocity layers/multisamples, to give you a smoother, more realistic response.
Included in Volume III …
20 kick gogs = 5 kicks, sampled raw and processed three different ways
24 tom gogs = 3 sets of 4 toms each, sampled raw and processed
64 snare gogs = 16 snares, sampled raw and processed three different ways
And the drums are…. (drumroll please!)
The Kicks:
DW 22” recorded with a Sennheiser 421- raw
DW 22” recorded with a Sennheiser 421- midrangey
DW 22” recorded with a Sennheiser 421- heavy attack
DW 22” recorded with a Sennheiser 421- smashed
DW 22” recorded with a Shure Beta 52 - raw
DW 22” recorded with a Shure Beta 52 - midrangey
DW 22” recorded with a Shure Beta 52 - heavy attack
DW 22” recorded with a Shure Beta 52 - smashed
Tama Starclassic 22” recorded with an AKG D112 - raw
Tama Starclassic 22” recorded with an AKG D112 - midrangey
Tama Starclassic 22” recorded with an AKG D112 - heavy attack
Tama Starclassic 22” recorded with an AKG D112 - smashed
Trick Aluminum 22” recorded with an AKG D112 - raw
Trick Aluminum 22” recorded with an AKG D112 - midrangey
Trick Aluminum 22” recorded with an AKG D112 - heavy attack
Trick Aluminum 22” recorded with an AKG D112 - smashed
Trick Aluminum 22” recorded with a Sennheiser 421- raw
Trick Aluminum 22” recorded with a Sennheiser 421- midrangey
Trick Aluminum 22” recorded with a Sennheiser 421- heavy attack
Trick Aluminum 22” recorded with a Sennheiser 421- smashed
The Toms:
Premier 10” maple recorded with a Sennheiser 421 - raw
Premier 12” maple recorded with a Sennheiser 421 - raw
Premier 14” maple recorded with a Sennheiser 421 - raw
Premier 16” maple recorded with a Sennheiser 421 - raw
Premier 10” maple recorded with a Sennheiser 421 - EQ’d & compressed
Premier 12” maple recorded with a Sennheiser 421 - EQ’d & compressed
Premier 14” maple recorded with a Sennheiser 421 - EQ’d & compressed
Premier 16” maple recorded with a Sennheiser 421 - EQ’d & compressed
Trick 10” aluminum recorded with a Sennheiser 421 - raw
Trick 12” aluminum recorded with a Sennheiser 421 - raw
Trick 14” aluminum recorded with a Sennheiser 421 - raw
Trick 16” aluminum recorded with a Sennheiser 421 - raw
Trick 10” aluminum recorded with a Sennheiser 421 - EQ’d & compressed
Trick 12” aluminum recorded with a Sennheiser 421 - EQ’d & compressed
Trick 14” aluminum recorded with a Sennheiser 421 - EQ’d & compressed
Trick 16” aluminum recorded with a Sennheiser 421 - EQ’d & compressed
Trick 10” aluminum recorded with a Sennheiser 421- tuned low - raw
Trick 12” aluminum recorded with a Sennheiser 421- tuned low - raw
Trick 14” aluminum recorded with a Sennheiser 421- tuned low - raw
Trick 16” aluminum recorded with a Sennheiser 421- tuned low - raw
Trick 10” aluminum recorded with a Sennheiser 421- tuned low - EQ'd & compressed
Trick 12” aluminum recorded with a Sennheiser 421- tuned low - EQ'd & compressed
Trick 14” aluminum recorded with a Sennheiser 421- tuned low - EQ'd & compressed
Trick 16” aluminum recorded with a Sennheiser 421- tuned low - EQ'd & compressed
The Snares:
Chad Smith Signature 14x5 Ambient sound using close mics and compressed overheads
DW maple tuned high 14x5 Ambient sound using close mics and compressed overheads
DW maple tuned medium 14x5 Ambient sound using close mics and compressed overheads
DW maple tuned low 14x5 Ambient sound using close mics and compressed overheads
Ludwig COW 14x6.5 Ambient sound using close mics and compressed overheads
Premier Heavy Rock Nine 14x9 Ambient sound using close mics and compressed overheads
Trick aluminum dry 14x5 Ambient sound using close mics and compressed overheads
Trick aluminum ring 14x5 Ambient sound using close mics and compressed overheads
Trick steel tuned hi 14x5 Ambient sound using close mics and compressed overheads
Trick steel tuned hi loose 14x5 Ambient sound using close mics and compressed overheads
Trick steel tuned low 14x5 Ambient sound using close mics and compressed overheads
Trick steel tuned low loose 14x5 Ambient sound using close mics and compressed overheads
Trick copper tuned hi dry 14x6 Ambient sound using close mics and compressed overheads
Trick copper tuned hi ring 14x6 Ambient sound using close mics and compressed overheads
Trick copper tuned low dry 14x6 Ambient sound using close mics and compressed overheads
Trick copper tuned low ring 14x6 Ambient sound using close mics and compressed overheads
Chad Smith Signature 14x5 Deep sound with a solid thunk and bright sizzle
DW maple tuned high 14x5 Deep sound with a solid thunk and bright sizzle
DW maple tuned medium 14x5 Deep sound with a solid thunk and bright sizzle
DW maple tuned low 14x5 Deep sound with a solid thunk and bright sizzle
Ludwig COW 14x6.5 Deep sound with a solid thunk and bright sizzle
Premier Heavy Rock Nine 14x9 Deep sound with a solid thunk and bright sizzle
Trick aluminum dry 14x5 Deep sound with a solid thunk and bright sizzle
Trick aluminum ring 14x5 Deep sound with a solid thunk and bright sizzle
Trick steel tuned hi 14x5 Deep sound with a solid thunk and bright sizzle
Trick steel tuned hi loose 14x5 Deep sound with a solid thunk and bright sizzle
Trick steel tuned low 14x5 Deep sound with a solid thunk and bright sizzle
Trick steel tuned low loose 14x5 Deep sound with a solid thunk and bright sizzle
Trick copper tuned hi dry 14x6 Deep sound with a solid thunk and bright sizzle
Trick copper tuned hi ring 14x6 Deep sound with a solid thunk and bright sizzle
Trick copper tuned low dry 14x6 Deep sound with a solid thunk and bright sizzle
Trick copper tuned low ring 14x6 Deep sound with a solid thunk and bright sizzle
Chad Smith Signature 14x5 Room sound using overheads and room mics
DW maple tuned high 14x5 Room sound using overheads and room mics
DW maple tuned medium 14x5 Room sound using overheads and room mics
DW maple tuned low 14x5 Room sound using overheads and room mics
Ludwig COW 14x6.5 Room sound using overheads and room mics
Premier Heavy Rock Nine 14x9 Room sound using overheads and room mics
Trick aluminum dry 14x5 Room sound using overheads and room mics
Trick aluminum ring 14x5 Room sound using overheads and room mics
Trick steel tuned hi 14x5 Room sound using overheads and room mics
Trick steel tuned hi loose 14x5 Room sound using overheads and room mics
Trick steel tuned low 14x5 Room sound using overheads and room mics
Trick steel tuned low loose 14x5 Room sound using overheads and room mics
Trick copper tuned hi dry 14x6 Room sound using overheads and room mics
Trick copper tuned hi ring 14x6 Room sound using overheads and room mics
Trick copper tuned low dry 14x6 Room sound using overheads and room mics
Trick copper tuned low ring 14x6 Room sound using overheads and room mics
Chad Smith Signature 14x5 Raw, no processing
DW maple tuned high 14x5 Raw, no processing
DW maple tuned medium 14x5 Raw, no processing
DW maple tuned low 14x5 Raw, no processing
Ludwig COW 14x6.5 Raw, no processing
Premier Heavy Rock Nine 14x9 Raw, no processing
Trick aluminum dry 14x5 Raw, no processing
Trick aluminum ring 14x5 Raw, no processing
Trick steel tuned hi 14x5 Raw, no processing
Trick steel tuned hi loose 14x5 Raw, no processing
Trick steel tuned low 14x5 Raw, no processing
Trick steel tuned low loose 14x5 Raw, no processing
Trick copper tuned hi dry 14x6 Raw, no processing
Trick copper tuned hi ring 14x6 Raw, no processing
Trick copper tuned low dry 14x6 Raw, no processing
Trick copper tuned low ring 14x6 Raw, no processing |
